Keith Haring - Untitled (cup man) - Giclée

lote/keith haring untitled cup man giclee 60x47 TxfRMZr 633184200 / En venta

lote/keith haring untitled cup man giclee 60x47 TxfRMZr 633184200

En ventaResultados de subastas

lote/keith haring untitled cup man giclee 60x47 TxfRMZr 633184200

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Keith Haring - Untitled (cup man) - Giclée - 60x47...

Giclée (*) Print of Keith Haring (**) Reproduction of the work “Untitled,” silkscreen created by Haring in 1989. Luxury edition on high-quality matte conservation digital paper (250 g/m²). A very versatile, high-quality paper manufactured in Germany from acid- and chlorine-free wood pulp. Print authorized by Artestar New York. Copyright: Keith Haring Foundation. Includes Certificate of Authenticity (COA). - Sheet dimensions: 60 x 47 cm - Motif dimensions: 50 x 37 cm - Condition: Excellent (this work has never been framed or exhibited, always stored in a professional art folder, and is offered in immaculate condition). The work will be carefully handled and packaged in reinforced cardboard packaging. Shipping will be tracked (UPS DPD DHL FedEx). The shipment will also include transport insurance for the full final value of the work, with full reimbursement in case of loss or damage, at no cost to the buyer. (*) Giclée is a term that refers to a high-quality fine art printing process, digitally created with inkjet printers. This process uses pigment-based inks and specialty papers to achieve exceptional sharpness, color accuracy, and durability, ideal for art and photograph reproductions. (**) Keith Haring was born in 1958 in Reading, Pennsylvania, United States. He grew up in Kutztown and from a young age showed a keen interest in art. He studied graphic design at The Ivy School of Professional Art in Pittsburg, and at 19, openly gay, he moved to New York, where he found inspiration in graffiti art and enrolled in the School of Visual Arts where he was influenced by Keith Sonnler and Joseph Kossuth, who encouraged him to train as a conceptual artist after experimenting with form and color. Haring captured public attention in 1980 when he began drawing cartoon-like images with markers on New York City subways, and later drew white chalk cartoons on black panels intended for advertising, which led to more than one arrest. His clean lines, vivid colors and active figures carried strong messages about life and unity, and his exhibitions were filmed by photographer Tseng Kwong Chi. Also around this time, he organized an exhibition at Club 57 and participated in a show in Times Square, where he drew animals and human faces for the first time. His first solo show was at Tony Shafrazi Gallery in 1981, the same year he participated in the Documenta 7 exhibition in Kassel, Germany. In 1982 he befriended emerging artists of the era such as Kenny Scharf, Madonna and Jean-Michel Basquiat, and even met the famous Andy Warhol. In 1984 Haring went to Australia and painted several murals in Melbourne and Sydney, and even received funds for his work from the National Gallery of Victoria and the Australian Centre for Contemporary Art. He also visited and painted in Rio de Janeiro, the Paris Museum of Modern Art, Minneapolis and Manhattan. During this period he even designed a pink jacket that Madonna wore to perform her song “Like a Virgin” on the show “Solid Gold.” In 1985, the Museum of Modern Art in Bordeaux held a solo exhibition of his work, and he also took part in the Paris Biennale. He appeared in November of that year on MTV where he painted in a program hosted by his friend Nick Rhodes of Duran Duran. In 1986 he painted murals in Amsterdam, Paris, Phoenix and Berlin, also painted Grace Jones’ body for her music video for the song “I’m Not Perfect” and opened a shop to sell his works in SOHO. By then, his works began to reflect the socio-political issues of the era such as anti-apartheid, AIDS and drugs. He also created pop art pieces for brands like Absolut Vodka, Lucky Strike and Coca-Cola, and even designed the cover of the charity album “A Very Special Christmas,” in which his friend Madonna was included. In 1988 he was included on a select list of artists whose works appeared on Chateau Mouton Rothschild wine labels, and that same year he was diagnosed with AIDS, so the following year he founded the Keith Haring Foundation aimed at fighting social problems related to this disease and at promoting the artist’s work through exhibitions, publications and licenses of his work. In June 1989 he painted his last public work on a wall of the San Antonio Convent in Pisa. This work was titled “Tuttomondo.” Keith Haring died on February 16, 1990, at the early age of 32, a victim of AIDS. (**) “The Man with the Cup,” 1989, is a vivid testament to the artist’s ability to combine playful imagery with deep symbolic depth. This silkscreen captures Haring’s characteristic energy, using bold lines, vibrant color planes, and a dynamic composition to create a figure that is at once whimsical and captivating. The central figure, whose segmented torso suggests a layered structure, almost like a matryoshka, is caught in full movement, with arms raised in an exuberant gesture, radiating vitality and motion. The surrounding lines and shapes amplify this sense of kinetic energy, turning the figure into a beacon of life and animation. Against a striking blue-green background with a purple dotted backdrop, the work shows Haring’s masterful use of contrast and rhythm. The interaction of color, form and movement embodies Haring’s interest in the universality of human expression, translating joy, vitality and connectivity into a visual language instantly recognizable. The figure of the “Man with the Cup” encapsulates Haring’s exploration of transformation, multiplicity and the interaction between individual and collective experience, reflecting his lifelong commitment to social issues through accessible imagery. This work exemplifies Haring’s enduring legacy: his ability to create visually captivating, socially resonant and deeply human art. It is as much a celebration of movement and energy as a poignant reflection of Haring’s innovative vision in late 20th-century contemporary art.

Estimación:€150

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